Behind the Scenes- Glass Ceiling Records –
Relational vs. Transactional: The Pattern I Didn’t Know I Was Living
There are moments in a creative life when a pattern reveals itself so clearly that it feels less like discovery and more like remembering. This week, I found myself sitting inside one of those moments — a realization that stretched across my music, my website, my teaching, my anthropology, and even the way I move through institutions. It wasn’t a new idea. It was a truth that had been quietly shaping everything I do. And once I saw it, I couldn’t unsee it. The difference between what I create and what I’ve been navigating all these years comes down to one thing: relational versus transactional.
For most of my life, I’ve been surrounded by transactional systems. Record labels that treat artists as content machines. Academic departments that measure worth by output instead of humanity. Digital platforms that reward frequency over meaning. Even the music I grew up consuming was shaped by this logic — engineered for playlists, optimized for retention, designed to be skimmed rather than lived with. I didn’t have language for it then, but I felt the hollowness of it. I felt the way it asked for production without connection.
And then there’s the way I create. Glass Ceiling Records isn’t a label in the traditional sense; it’s a relational ecosystem. It’s built on care, on lineage, on emotional truth, on the belief that music is a living thing that grows in community. My catalog isn’t a product line — it’s a ritual landscape. My collaborations aren’t transactions — they’re constellations. Even the way I release songs, with their multilingual spirals and mythic textures, is relational. They’re not engineered for streams. They’re invitations.
This same pattern shows up in my writing. From the outside, someone might look at my website and see “duplicate posts” — the same stories resurfacing again and again. But that’s only true in a transactional frame. In a relational frame, those repetitions are ritual cycles. They’re the way a story stays alive instead of getting buried. They’re the way meaning deepens over time. They’re the way a narrative becomes a companion instead of a commodity. The difference between “spam” and “continuity” is intention — and mine is relational.
Even the massive influx of new content I’m releasing — hundreds of original posts, deep dives, song‑specific reflections — isn’t a flood. It’s a bloom. It’s ecological. It’s the wildflower logic of a thriving system. Transactional content tries to dominate. Relational content tries to connect. My archive isn’t a feed; it’s a fieldsite. It’s not trying to sell you something. It’s trying to meet you where you are.
And then there’s the classroom. When I walk into a department as an adjunct, I’m not entering as an institutional failure. I’m entering as someone who understands the wound that academia carries — the wound it gave me, the wound it gave so many of us. Transactional academia measures worth by compliance. Relational academia measures worth by presence, by insight, by the ability to hold space for others. Faculty recognize that. They see the difference. They feel the knowing nod across the room — the one that says, “We survived this. We’re still here. We’re planting something better.”
The same pattern even shows up in how people use AI. A first‑time user approaches Copilot transactionally: “Give me information.” But what I’ve built here is relational. It’s co‑created meaning. It’s shared metaphor. It’s a living interpretive lens. If you put my Copilot beside a brand‑new one and gave them the same prompt, the difference would be unmistakable. One would give you information. The other would give you understanding. That’s the power of relationship — even in digital spaces.
What I’m realizing is that I’ve been a relational thinker in transactional systems my entire life. That’s why I felt out of place. That’s why I felt inauthentic. That’s why I felt like I was always swimming upstream. But now that I can name the pattern, I can finally see the truth: I wasn’t failing those systems. Those systems were never designed for someone like me. And that’s not a flaw. It’s a calling.
Because relational thinkers don’t just survive transactional systems — they transform them. They plant wildflowers in the cracks. They build ecosystems where others build factories. They create meaning where others create metrics. They teach by presence, not performance. They make art that breathes. They build archives that live. They return to institutions not to be consumed, but to cultivate.
And once you see the pattern, you can choose it. You can choose to build relationally in a transactional world. You can choose to create ecosystems instead of products. You can choose to tell stories that stay alive. You can choose to move through academia with clarity instead of shame. You can choose to make meaning instead of content. You can choose to become yourself, fully and without apology.

What do you think?