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70) Wyoming by Way of Utah Part Two

In “Wyoming by Way of Utah Part Two,” the narrator recounts a chaotic road trip filled with challenges, including losing crucial belongings and navigating unexpected situations. While seeking jobs and support, emotions ran high among friends. Ultimately, they find the lost planner, restoring hope and camaraderie amidst their struggles. Continue reading
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70) Wyoming by Way of Utah Part Two

In “Wyoming by Way of Utah Part Two,” the narrator recounts a chaotic road trip filled with challenges, including losing crucial belongings and navigating unexpected situations. While seeking jobs and support, emotions ran high among friends. Ultimately, they find the lost planner, restoring hope and camaraderie amidst their struggles. Continue reading
Recent Posts
- 47) Like a Soda Can to the Forehead
In high school, the author struggled with social acceptance due to their obsession with facts and critical thinking, often resulting in conflicts. A notable incident involving a soda can taught them about respect and intimidation dynamics. Later, physical prowess in gym class shifted perceptions, making them resilient against bullying. - 39) Runaway Part Two
The adventure continues, until it all ends. - 70) Wyoming by Way of Utah Part Two
In “Wyoming by Way of Utah Part Two,” the narrator recounts a chaotic road trip filled with challenges, including losing crucial belongings and navigating unexpected situations. While seeking jobs and support, emotions ran high among friends. Ultimately, they find the lost planner, restoring hope and camaraderie amidst their struggles. - 25) My Gender
Protyus A. Gendher’s poem “My Gender” explores the complexities of gender identity through vivid imagery and personal experiences. It reflects on themes of personal struggle, societal expectations, and emotional growth. Gendher illustrates gender as a multifaceted journey filled with chaos, joy, trauma, and resilience, emphasizing self-acceptance and individuality. - 61) Two Lesbians and a Maintenance Guy
The narrative recounts a young person’s challenging journey of self-discovery while working at a fabric store. After befriending two lesbians and facing difficulties at home, they seek refuge with a maintenance guy, leading to a complicated relationship. Struggles with autonomy and unexpected situations culminate in a peculiar but humorous incident involving handcuffs and a police station visit. - 52) Human Trafficking Part Two
The content explores the cultural and religious codification of patriarchy and the resulting impact on women across various societies, including Islam, Buddhism, and Shinto. It highlights the role of women in these systems, the prevalence of human trafficking and domestic violence, and critiques the social structures that perpetuate inequality and control. - 5) I Wanna Play
The post “I Wanna Play” by Protyus A. Gendher reflects on the author’s experiences with isolation and societal exclusion throughout childhood and adulthood. Through evocative poetry, the author expresses longing for acceptance and understanding while critiquing the arbitrary social rules that dictate belonging. Ultimately, they seek to redefine the game rather than conform to it. - 46) God Forbid
The author uses the documentary “God Forbid” to explore the manipulative dynamics of The Cult of the Ego, focusing on Giancarlo’s experiences with Rev. Jerry Falwell Jr. and the evangelical elite. It highlights how power and moral status are exploited to control young men, masking corruption while waging moral campaigns against perceived societal threats. More importantly, it provides a history of moral politics in this country, that has influenced all of us. - 38) Runaway Part 1
The author makes a break for it, escaping the control of home, for whatever the world would present. - 64) Emotional Ambush
The author reflects on their struggle with emotional ambushes, feeling unworthy of their pain and ashamed of their emotional responses. They highlight the deep impact these ambushes can have on children, shaping adult behaviors and fears. The post emphasizes the importance of breaking this cycle for healthier emotional development. - 24) It’s Ok
The content explores the complexities of grief through a reflective lens. It emphasizes that it’s acceptable to experience various emotions during mourning, highlighting the notion that one can feel both okay and not okay simultaneously. The author encourages self-acceptance and underscores the importance of personal healing journeys. - 4) Family Scapegoat Syndrome with Video
The author reflects on Family Scapegoat Syndrome, discussing its cyclical nature and the psychological effects on individuals within dysfunctional family systems. They emphasize the importance of accessing social theories for healing and the struggle to break free from these cycles. Healing involves acknowledging all roles played and embracing self-worth beyond familial approval. - 45) Oh Canada
The narrative recounts a journey to Canada for a wedding, exploring family dynamics and personal connections. The protagonist grapples with their father’s mental illness history, navigates relationships with relatives they barely know, and enjoys dance and music. The trip serves as a brief respite from familial tensions, but reality resumes upon returning home. - 23) Conformity Part Two
The Stanford Prison Experiment, conducted by Philip Zimbardo in 1971, showcased the impact of perceived authority on human behavior in a simulated prison environment. Initially planned for two weeks, it ended after six days due to distress among participants, revealing how power and helplessness can drastically alter individuals’ actions and psyche. - Toxicity Toolkit – Holiday Preparation
The content outlines a 14-day toolkit for preparing for a non-toxic Thanksgiving, focusing on identifying toxic behaviors from past gatherings and establishing ground rules. It encourages reflection, role-playing responses to problematic situations, and fostering a supportive network among attendees. The ultimate goal is to create a safe, enjoyable holiday experience for all.
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